I have chosen to analyze the first five minutes of the documentary concert-film "Gimme Shelter". The film covers the band on top form, and the problems they had at their infamous Altamont Speedway concert. I found this video on the website www.quicksilverscreen.com
The film begin with a black screen and the only thing to be heard is Mick Jagger's voice introducing his band on stage, once he has said the first two line you hear a roar from the crowd and Charlie Watts is shown on screen in a MCU one shot, the camera zooms out and pans left to right. Throughout the next couple of shots we see Charlie posing the live album cover of "Get Yer Ya-Ya's Out". Props include a donkey, stars and stripes top hat, two guitars and a drum snare. The shots for this short sequence consist of CU of Mick Jagger, LS two shot of Mick and Charlie and an establishing shot of the photographers. All of this sequence is silent as the previously mentioned non-diagetic Rolling Stones introduction is still being played over the top. This is then cleverly transferred to diagetic when Mick Jagger takes the top hat from Charlie at the photo shoot and then the camera cuts to a MS of Mick fitting the hat onto his head whilst continuing his introduction, but this time onstage.
Mick stands at MS in the middle of the stage and shouts "welcome to the breakfast show" the band immediately react with "Jumpin' Jack Flash". The camera focuses on Mick throughout this performance, he is mostly framed at MCU or CU between the verses and LS or MS when he is dancing about and the camera needs to do some movement. There is also a lot of smash zoom used as emphasis of Micks performance, I imagine there is a lot of zoom used because of the time it was filmed maybe it was a popular choice or purely because some of the footage used is amateur. The onstage lighting helps to depict Mick as the main character since he is lit brighter than the others. Nothing else is really to be seen onstage at this point, the light only really focus on the individuals and their instruments. High angle/low angle shots are also used during this performance. This could have possibly been used to represent the band as powerful, with their adoring fans looking up to them. For example, at about 2:57, there is a high angle shot from onstage, of the crowd looking up to the Mick. At 3:35 a low angle LS is used showing footage from behind a bobbing fans head looking towards the stage. Shots like the latter mention, also add a more personal touch to the film, it’s feels almost you are stood in the crowd.
Shortly after the band have finish “Jumpin’ Jack Flash” the camera pans and tilt down to follow Keith Richards movements framed in MS. The film then cuts to a MS showing a monitor, which is playing the performance, making the impression that we were watching the footage in the studio. The camera then reveals the entire band watching back this footage. This is where the title sequences begin, they are subtlety edited in over the film, framing each band member’s reaction to their performance in CU and then appears their name in white typography, this then quickly fades out. Towards the begin of this scene they have used cross-cutting or parallel editing to show Charlie Watts watching the footage in the studio and showing him onstage when he is mentioned by Mick Jagger. The band are dressed differently in the studio, from what I can make out: Mick a shirt, blazer and scarf, Charile a shirt and waistcoat, Bill a jumper and leather jacket, Mick Taylor a t-shirt and Keith a red long sleeved top. Prop in brief scene include: lit cigarettes, an ashtray, a telephone, film reels and film production equipment. The last shot I recorded at 5:10 is a MS two of Charlie and presumably a film production worker. After this there is various discussions about the concert.
Conclusion
Overall I have enjoyed analyzing “Gimme Shelter” and found it beneficial own up and coming documentary project. Even though the film is dated and some of the footage is quite amateur, I think these factor help to make the film more genuine. As I fan myself, watching Gimme Shelter this way, gave me a better feel for the music, period and understanding of the controversial concert. If the film were “state of the art” it wouldn’t represent what The Rolling Stones are about.
There are some aspects I think I can take from this film and incorporate into my own project and some that I can’t. For example the scene shot in the studio at the end, will be very similar to the one we will be filming from, we could use the scene from this film to help us with things like: the appropriate camera angles, the 180 degree line for conversations and lighting techniques. Things I am less likely to take as inspiration, from this film could be the frequent use of zoom, which can make viewers, feel quite seasick. There are better ways to show emphasis and detail in modern cinematography.
Source: http://quicksilverscreen.com/watch?video=52108

IMB page:
http://www.imdb.com/title/tt0065780/




Name – Josh
